Rosalind Hewitt, Avid Certified Instructor
In the new version of Avid Media Composer 5.5, the Smart Tool has changed.
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In the new version of Avid Media Composer 5.5, the Smart Tool has changed.
It's called a Motion Adapter Effect and it's telling you that the clip in the Timeline is a different format to the Project format.
Ever need to re-use a subtitles style for a recurring broadcast spec/programme series?
Most people edit titles in the timeline, and while you can modify it and store it as a new title clip, the existing title in the timeline will get modified whether you want it to or not.
Until recently, its not been possible to preserve the timecode attached to Quicktime files when importing and exporting from Avid.
If you need to see the waveform on one track only, or adjust clip levels on one or two tracks, save a view labeled âBig A1/2â or similar, with large track size and automation gain turned on. Donât forget to first save a ânormalâ view so you can switch back. Youâll probably need similar big views for at least the first 8 tracks.
Instead of using the mode buttons on the timeline, set up workspaces customized for how you like each interface to look. Then use the command palette to map the workspace menus to the timeline or composer windows.
When zoomed into the Record window in order to apply for example a Paint effect, holding down Ctrl-Alt (Command-Option on Mac) will turn the icon into a hand, allowing you to reposition the zoomed frame within the Record window.
You can use Trim buttons to reposition video keyframes, rather than Alt-drag. In Advanced Keyframe mode, use Shift-Alt to move, as only using Alt will modify parameters.
To apply the same effect to multiple transitions or segments, do the following. Select either a transition or segment within Effects mode, and then lasso over the additional transitions or segments that you want to apply the effect to.
Holding down Shift when adjusting drop shadows in the Title Tool will restrain the drop shadow to 45 degree increments. Holding down Shift while creating shapes in the Title Tool will constrain shapes to perfect squares or circles.
Holding down Ctrl on a Mac allows lassoing in the timeline. To calculate the total duration of a number of clips, highlight the clips in a bin and press Ctrl-I (Command-I on Mac.) The Avid console will appear, with a total duration for all the selected clips.
Holding down Alt while clicking on matchframe allows you to retain In and Out points previously set in the Source window.
Pressing Alt + C allows you to copy whatever is selected within a track (including In and Out points) to the Source monitor. The selected section can then be pasted in elsewhere.